![]() Different images can be layered too, of course. I find that with my super-sharp OM-1 photos, I must increase the smoothness slider to avoid unwanted artifacts.Īdjustment layers can be individually masked and blending modes applied. The detail in the enlarged images is incredibly fine. I've used ON1's Resize AI to increase the size of small images to more than double their original proportions. The resizing can be batch processed to an entire folder of images, and the Resize module also enables batch printing. ![]() It uses real-world texture examples to decide how the image should look. The AI version of Resize uses information trained by millions of photos, so the resizing process adds information to the image instead of just blowing up the photo's existing data. The most significant change brought by the latest update to ON1 Photo Raw 2022.5 is the inclusion of Resize AI within it. I like ON1's unadjusted results of my cameras' raw files far more than Adobe's, which I find over-sharpened and lacking. Additionally, On1 has clearly put a lot of work into developing its raw development software, so it doesn't use the same generic algorithms employed by some of Adobe's other competitors. It's much faster to switch back and forth between the raw development and the image editors than between Lightroom and Photoshop. Switching between the modules is immediate. ON1 Photo Raw 2022.5 Browse works both as a file browser and as a catalogue It is also a portrait enhancing, HDR processing, time-lapse creating, focus stacking, AI-controlled sky swapping, panorama stitching photo editor with an advanced search engine, and many other tricks up its sleeves. Then there's the AI-based resize software, plus the newly improved denoise tools that knock spots off most everything else on the market. It has an integrated raw development and layers-based editing module like ACR and Photoshop combined. Imagine the prodigious love child of Lightroom and Bridge. It now includes a browser module that incorporates an advanced catalog. Honestly, I wasn't that impressed with its results back then, which seemed to do little more than what Instagram filters later did. It was a viable alternative to the early iterations of the Nik software, and it worked as a plugin and stand-alone program. ![]() I first came across it years ago under its old name, Perfect Effects. This is known as Rich Black.ON1 Photo Raw has taken time to evolve into what it is today. For richer, darker black, we recommend a CMYK setting of C=30%, M=30%, Y=30%, and K=100%. We all know about shades of gray, but in printing, there are also varying shades of black. For more about image resolution, visit this help center article. This will only lead to heartache and gnashing of teeth. Do not try to compensate for a poor resolution image by simply increasing the DPI manually. Otherwise, they will not reproduce properly on printing equipment. While 72 dpi and RGB are acceptable (and preferable) for web-based viewing, print-based images need to be 300 dpi and must use CMYK. When designing for print it's important to use high-resolution images with CMYK color. An explanation of why this is needed can be found here. If your design includes a border that does run along the outer edge, we recommend a border width of at least 1/4 inch (0.25) inside the cut line and 1/8 inch (0.125) outside the cut line, for a total width of 3/8 inch (0.375). This will ensure a more symmetrical appearance once the print piece is trimmed. If your design includes a border that does not run along the outer edge of the page, we recommend leaving at least 1/4 inch (0.25) of white space between the cut line and your border. This will help ensure that your piece maintains proper symmetry when it is printed, cut, and folded. If your artwork includes folds (such as a tri-fold brochure), add guides at the fold lines and 1/8 inch on either side of the fold as a safety margin for each panel. Any text that extends beyond this margin will fall outside the mechanical tolerances of our paper-cutting equipment and may get cut off inadvertently. We call this the safety margin, and any text you're including in your document should not go past this margin. In addition to the bleed line, we also recommend adding a second set of guides 1/8 inch inside the bleed line (1/4 inch from each document edge). The bleed area will fall outside this line (called the bleed line). We recommend adding guides 1/8 inch from each edge of your document to indicate the cut line (the line where your document will be trimmed). This excess space (1/8 inch on all sides) is then trimmed off once the printing process is complete. Since printing equipment can't always accommodate printing all the way to the edge of the page, extra space must be added to allow for it. Bleeds are text or images that extend all the way to the edge of the finished page. ![]() The 1/4 inch of extra space is intended for bleeds.
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